There has been a lot of speculation over the years that Mae West may have actually been born male.
She was rarely photographed showing her legs, loved films set in the 'gay nineties' as that era suited her penchant for big hats, ample bosom, tiny waist and hourglass figure. Also Mae disliked being touched, was very discreet with her lovers, loved a prizefight or a black boxer as a lover. And yet Mae was tiny, she wore stacked shoes that had false bottoms on them, so when she walked, it was one balancing act. Another unusual thing about Mae was she hated her masculine chin and jawline, and had them retouched in every photo. Mae made her first film at 40, so she wanted to look as good as possible in every photo. Her weight was always a problem, and being short in stature didn't help. So she always wore long dresses or trousers to cover her stacked heels. In the late 40's it was reported Mae had died, then the papers said it was her brother who had died. Some people believe Mae's looks changed from the 50's onwards. Her brother was taller, but her sister Beverly was about the same height. and looked very similar. Very few photos exist of Mae with her sister Beverly. But her sister was at Mae's funeral in 1980, so it couldn't have been her pretending to be Mae all those years. It would be a fascinating rumour to believe, but there is no proof. Anyway, Raquel Welch loves to talk about working on the 1970 camp classic Myra Breckenridge with Mae, and on the dvd's commentary, she states at the time she noticed Mae's big hands, and thought she was a man. Raquel and Mae famously did not get on during filming. Mae insisted on being the only actress to wear white, so Raquel wore a pale blue tinted ruffle. But more about Myra in my next post on Mae's later years. For now enjoy some rare early shots of Mae in her vaudeville days, and some stunning shots through the 30's of Mae at her peak.
She was rarely photographed showing her legs, loved films set in the 'gay nineties' as that era suited her penchant for big hats, ample bosom, tiny waist and hourglass figure. Also Mae disliked being touched, was very discreet with her lovers, loved a prizefight or a black boxer as a lover. And yet Mae was tiny, she wore stacked shoes that had false bottoms on them, so when she walked, it was one balancing act. Another unusual thing about Mae was she hated her masculine chin and jawline, and had them retouched in every photo. Mae made her first film at 40, so she wanted to look as good as possible in every photo. Her weight was always a problem, and being short in stature didn't help. So she always wore long dresses or trousers to cover her stacked heels. In the late 40's it was reported Mae had died, then the papers said it was her brother who had died. Some people believe Mae's looks changed from the 50's onwards. Her brother was taller, but her sister Beverly was about the same height. and looked very similar. Very few photos exist of Mae with her sister Beverly. But her sister was at Mae's funeral in 1980, so it couldn't have been her pretending to be Mae all those years. It would be a fascinating rumour to believe, but there is no proof. Anyway, Raquel Welch loves to talk about working on the 1970 camp classic Myra Breckenridge with Mae, and on the dvd's commentary, she states at the time she noticed Mae's big hands, and thought she was a man. Raquel and Mae famously did not get on during filming. Mae insisted on being the only actress to wear white, so Raquel wore a pale blue tinted ruffle. But more about Myra in my next post on Mae's later years. For now enjoy some rare early shots of Mae in her vaudeville days, and some stunning shots through the 30's of Mae at her peak.